I’ve seen all but one of Nolan’s movies, and he impresses the hell out of me with his ability to both write and direct competently without any gross missteps. He casts well, he gets good performances out of his actors, and his scripts often have refreshingly original ideas. He hasn’t yet made the movie that has left me in complete awe, but I won’t be surprised if he eventually does. Sometimes his scripts are too ambitious. I would love to see him direct a television show where he gets five seasons to tell something epic.
The Dark Knight Rises: Bane is a decent foe for Batman as is Marion Cotillard’s character. But I didn’t feel much awe while watching this, which is kind of necessary for a superhero movie. Cillian Murphy makes a fun reappearance as the Scarecrow.
Inception: Nolan does an exceptional job of taking this mind-boggling concept and teaching it to the viewer without too much exposition. Slick camerawork and good performances as well by DiCaprio, Joseph Gordon-Levitt, and Ellen Page. But despite how epic the movie remains, there are so many glaring plot holes in the last half hour that it’s hard for me to overlook them. The ending is also manipulative and obvious and created some silly debates among viewers. On the other hand, it was also the first movie I saw with my wife, so bonus points there.
The Dark Knight: The second of the Batman movies is famous for being Heath Ledger’s final movie and also his best, as he deservedly won an Oscar for his portrayal of The Joker. He’s pure delight every second he’s on the screen. But there are probably even more plot issues here than in Inception (mostly the good guys making things way too hard) making for some really contrived climactic scenes.
Memento: Famous for the entire movie being told backwards. Each scene is about two to six minutes, then we jump back in time to the one before it. Guy Pearce plays a guy with amnesia who forgets everything he’s learned after a few minutes and therefore obsessively writes things down on paper and on his body. It’s dizzying at first, but Nolan does a good job of making everything fall into place at just the right time. Gimmicky for sure, but the story is good regardless. And the acting is excellent. The Matrix stars Carrie Ann Moss and Joe Pantoliano give chilling performances, and Pearce is believable as well. Haven’t watched this a second time, though there is an option on the DVD to watch it forwards rather than backwards.
Following: Nolan’s first full-length movie, in black and white, we meet a writer who (benignly) stalks people for his stories, until a thief notices him and takes him under his wing as a co-thief. One of the best stories I’ve seen that relies on plot twists and misdirection, I never felt manipulated or taken by the storytelling. The acting isn’t the greatest and the budget is obviously low, but you can definitely see some Nolan trademarks and it’s beautifully paced.
Insomnia: Two L.A. detectives are sent to an Alaskan town where the sun literally doesn’t set for months at a time to solve the systematic murders of the local police force. Based on a Norwegian film made a few years earlier. The only movie Nolan doesn’t have a writing credit for, though he did have a hand in some of it. Al Pacino is good, and Robin Williams puts in one of the best performances of his career, probably because Nolan doesn’t allow him to mug for the camera.
Batman Begins: I never had a desire to see a superhero movie but I was blown away by this. Beautifully shot and an imaginative, compelling back story for how Batman became to be. Perhaps I love it because I pretty much hate comic books and this movie never feels like one. I was engaged all the way until the end. Cillian Murphy is awesome as the Scarecrow, but Michael Caine and Gary Oldman are inspired choices as well. Katie Holmes was a misstep as Rachel Dawes (corrected with Maggie Gyllenhaal in the sequel) but she doesn’t ruin anything.
Other Christopher Nolan Movie You May Have Seen
4 thoughts on “Christopher Nolan”
I’ve never seen Insomnia for some reason. I always mean to.
I know I’ve talked about Nolan before, but I’m always a little miffed that he skimps on emotion so much. His focus on plot is so strong, there’s no room for anything else.
I’d argue that Ledger’s best performance is in Brokeback Mountain but I have nothing against the argument that The Joker is #1.
I hate the ending of Inception. It was the first time in a while that I’d had the same feeling that Donnie Darko gave me: this makes no sense, but they’re going to do it anyway to create a false debate.
I own The Prestige and have since 2006 but have never seen it, since I accidentally saw the ending in the break room at work. Whoops!
I really need to see Brokeback.
Perhaps Nolan has Asperger’s? Could someone with that diagnosis direct well?
No lie, I have pondered that same thing.
I think it would be tough for someone with Asperger’s to take on film, though they’d arguably be more focused on other important aspects. It’s as good an explanation as any.
Brokeback is a good movie that I wish was better, since it’s potentially so important. Performances are wonderful, some scenes are unforgettable and somehow it doesn’t quite come together. It’s still 84 billion times better than Crash, which stole the Oscar. Not that I care about awards, but holy shit, dude.