Beyond just the music I will occasionally write about the artists themselves and how I reconcile any conflicts with their personal lives and or racist/sexist lyrics (especially when we get to country!). I don’t think I had ever read the Wiki pages for either 50 Cent or Nate Dogg. By all accounts it seems like Nate Dogg was not the best person, with a domestic assault conviction and several more accusations and charges before he died following two strokes at 41. 50 Cent has never had any similar accusations, though his relationship with his first son is sad, with regular public feuding, saying he didn’t love him and didn’t care if he died. Way to take the high road there. He came out as very pro-gay pretty early on which is pretty cool.
As for the song itself, it’s a sweet love song reflective of the experience of black men in thug life (Tupac Shakur’s concept of that). Mostly I love the instrumentation. The guitar work is repetitive, but I love the sound of the high E at the end of every line. This won’t be the last time Nate Dogg is featured this year; he had no part in writing this one, but the King of Hooks does a slick job with the chorus and the outro.