106: The Host (4.23)

Synopsis: Beverly reveals her long time lust for Riker while we learn she is not bi-curious.

Memory Alpha Summary:  So I got this nagging pain in my side…

Review:  The Trill, much like the Bajorans, are a race that become much more developed during DS9.  However, their introduction is plausible and successful enough to create an interesting story.  The dispute Odan has to resolve from this never before seen planetary system is just a distraction from the love story.  Some people find it objectionable that Crusher was immediately turned off when Odan became biologically female but was able to overcome her discomfort when Odan was in Riker’s body.  I say hogwash; human attraction always starts with the physical and it becomes part of the person we come to cherish.  Crusher just doesn’t dig chicks or her mate changing bodies every two days for that matter.  What I find objectionable is that Crusher fell in love with Odan in the span of a week.  Perhaps it’s what happens on deep space assignments when you don’t use the holodeck enough, but I’m tired of it being used to create plots that last only one episode.  It feels very high-schoolish.

Also, why do Beverly and Odan sneak around Data?  The best way to safeguard a romance from the rest of the ship is to tell Data and tell him to keep his mouth shut.  If you make him guess he’ll start asking everyone else questions.

107: Eye of the Beholder (7.18)

Synopsis:  Where Troi tries to make us care about suicides and murders of crew members we never met, or her own suicide, which we don’t care about either.

Memory Alpha Summary:  Spoiler Alert–Troi lives

Review:  The suicide discussion at the beginning is pretty shallow.  It’s a very worthwhile subject to discuss for 24th century humans, but they didn’t dig deep enough.  Then we get “It’s not like Don to take his own life.”  Right, because he’d never done it before.  What an awful line.

At least once that part is out of the picture, the episode is fun.  Watching Troi slowly become more paranoid is entertaining, and it was a better vehicle for her than Man of the People.  It’s kind of annoying, however, that we later find out most of the episode was Troi’s hallucination (not that it should be a surprise in season seven), yet in this hallucination we see some scenes from other characters’ points of view.  That’s a little dishonest to me.

108: The Child (2.01)

Synopsis: The Enterprise has to freight a deadly plague while Troi gets knocked up by an energy force (no, not Worf).

Memory Alpha Summary:  Better than the movie Jack

Review:  I love the opening moments of this episode.  The music is triumphant, like “Yeah, we sucked in season one, but we’re back!”  (Like the Romulans).  We also have the promotion of Geordi to chief engineer and Dr. Pulaski making her one-year tour of duty.  I think both developments were great.  Muldaur is a better actress than Gates, and she actually has a personality.  She reminds me of Bones in that he had irrational distrust of Vulcans, while Pulaski shares the same distrust of androids (they also both hate transporters).  As for Geordi, I’m glad he’s no longer on the conn.  He acted like a ten-year old kid pretending to be a cowboy and had no reason to be important other than his visual acuity.  As chief engineer, he eventually grew confidence and felt like he belonged with the bridge crew.

As for this episode, it takes another chance and broaches abortion, though unfortunately in a rather over-the-top manner.  Worf, of course, wants to kill everything, so he recommends Troi abort her baby.  Sirtis actually plays this role fairly well, even if I will never be convinced by her crying.

Data does a fantastic job at handling Pulaski’s prejudice, especially when she calls him Dah-ta.  “One is my name.  The other is not.”  I have felt this way many times when people butcher my name.

Picard:  “I’ve never played with puppies.”  Really?  Wow.

I almost forgot to mention that Riker now has a beard (great move) and we have another new character in Guinan.  She winds up giving a lot of sound advice to the crew over the seasons.  And it’s a good thing because in this episode she convinces Wesley not to leave.  Whoops!

An okay episode, which could have been pretty good if Sirtis was better.

109: The Naked Now (1.02)

Synopsis: The second episode and TNG is already ripping off entire plots from the original series.  And nobody gets naked (on-screen).

Memory Alpha Summary:  Indeed, it did happen.

Review:  While a delightfully risky episode, it simply came too early in the series, before the audience really knows the characters.  Thus, the context for the humor cannot be as appreciated as much until later.  However, it does establish some key relationships and personality traits of the main crew.  Beverly is cute as hell and she and Picard complement each other well.  Wesley shows some glimpses of his precocious arrogance, but it can be forgiven considering he was drunk.  However, the writers will soon exploit this to aggravating proportions.

Not only is this a poor man’s version of Naked Time, the episode has some pretty significant and obvious script flaws.

After the hatch of the Tsiolkovsky is blown, Data tells Picard that the sound they just heard is impossible.  Then they quickly prove how it indeed was possible.  Data would never use a work like “impossible” unless something truly was.  Even then, he would likely say “theoretically impossible” or “highly improbable.”  And this isn’t just an issue of a character not being developed yet.  Data is an android.  His programming should not allow him to say that word in this situation.

Despite Data’s explanation of how he could be infected, I just don’t buy it.  He is immune to every biochemical problem the crew faces for seven seasons, yet something that enters his pores here can make his computer program emulate a drunken person?  At least it made for an iconic moment, and gave Tasha Yar more action than she ever saw as security chief.

Even though Wesley has Picard’s voice–which would be needed to transfer command of the ship–how could he do it without an authorization code?  Sloppy writing, that’s how.

I wonder how I would rank this episode if I saw it for the first time back in 1987.  Of course, I had just turned seven years old.  I probably would have turned it off and played Excitebike.  Also, this episode aired two days before the Twins faced off against the Tigers in the ALCS, so I’m sure I had other things on my mind.

Survivor X, Week 16: Afterlife

This week, we had to write about the afterlife.  Yup.

“We’re gonna need to intubate!”

Morgan was floating just above consciousness.

“What happened to her?”

“Looks like a cocktail.  Valium, Klonopin, and Ativan.  Okay, let’s do this!”

Morgan fell under.

************

“Are you awake, dear?” The voice was upbeat but twitchy, as if the speaker was in a hurry.

“Mmm?” said Morgan.  She opened her eyes.  The room, or whatever it was, awoke her senses.  Bright white flooded the area.  Besides the man before her, she was the only perceivable…thing in the room.

“Wonderful!”  The man, wearing a suit and tie, smiled warmly.    “I’ve been waiting for you.”

“Are…?” Morgan squinted at the man before her.  “Is this?  Are you?”

The look on his face beamed with anticipation.

“God?”

“Oh, lordy lordy, no!” he replied.  “But don’t worry, I’m not upset.  Nobody ever gets it right on the first guess.”

“Then are you…”

“Or the second guess for that matter.  Tell you what, since today is your lucky day, I’ll just come right out and tell you.”

Morgan raised her brow.

“I’m Ray Combs!”

Morgan raised her brow further.

“And it’s time to play…The Feud!”

From out of nowhere, a platform with a red buzzer appeared before her.

“Okay Morgan, now get ready for round one!  Buzz in when you have an answer.  We asked one-hundred people who recently committed suicide; would you like to go to Heaven?”

“Uhhh…” Morgan stared at him, wondering if he was serious.  “Yes?”

“Ah ah!” he said.  “Gotta hit your buzzer.”

Morgan pressed the buzzer.  It beeped at her.  “Yes?”

Ray turned around, looking up at the white nothingness.  “Show me…yes!”

As the sound of an electronic bell filled the area, her answer appeared in bright yellow letters.  Next to it, the number 100.

“Yes!” shouted Ray.  “Now don’t go away, round two is coming up next.”

“But…” Morgan started.

“We asked the same one-hundred no-longer living people; what was your most grievous sin?”

Morgan continued to eye Ray Combs with caution, but hit the buzzer anyway.  “I once cheated on my husband with his best friend.”

“Good answer!  That certainly was sinful.”  Ray turned around once more.  “Show me adultery!”  A loud buzz filled the air, as well as a giant red X.

“I’m sorry, but it appears to be not as grievous as you thought.  You still have two strikes left.  Do you have another answer?”

“Um, well that year I taught English in the inner city school?  I slept with one of my students to get some cocaine.”

“All right, that’s good!” Ray said reassuringly.  “Show me getting in the sack with a black for some crack!”

The giant red X appeared again.  The buzzer seemed louder this time.

“Okay,” Ray said.  “I don’t want you to be nervous, but you now have two strikes.  One more strike and you know what that means.”  He looked at her, his brow furled with great concern.

“I’m going to hell?” Morgan asked.

“With a brand new copy of our home game!  But don’t worry, I’m confident you’ll get it right this time.  Now Morgan, think really hard.  What was your most grievous sin?”

Morgan bit her lip.  “Would it be my severe depression and anxiety that led me to taking too many pills this morning in hopes of falling asleep?”

“It might be,” Ray said.  “Show me suicide!”  The bell dinged, with the number 100 appearing before her guess.

“You’re going good Morgan.  This is the third and final round.  If you get this right, I am authorized to grant you passage into Heaven.  Are you ready?”

“Sure.”

“One-hundred sinful people just like you were asked this final question.  Who do you ask for salvation from and accept as your personal savior?”

Morgan laughed and hit the buzzer.  “You.”

“Why, thank you.  Let’s see if anybody else did.  Show me Ray Combs!”  The bell dinged.  Ray’s name appeared in the air, with the number 2 beside it.

“And those two people have a copy of our home game!  But you have another chance.  Do you have an answer?”

“I think I do Ray!”

Morgan knew the answer all along.  It was the hardest thing she ever had to do.  And Ray Combs helped her do it.

“My answer is Jes…”  Before she could finish, Morgan felt a tingling sensation.

“Damn it, not another one!” shouted Ray.  He watched as Morgan phased out of and back into the area.

“What’s happening?” Morgan’s look of peace had changed to fear.

“The doctors are bringing you back to life.  Now listen very carefully.”  Ray placed his fingers on Morgan’s temples and looked directly into your eyes.  “You will forget everything that’s happened here.  When you wake up, all you will remember is that you moved up through a tunnel that was filled with a radiant white light.”

And with that, Morgan disappeared.

Ray Combs sighed.  “Morgan,” he said to no one, adjusting his tie.  “I hope I never see you again.”

Spooky: Whoa. This is a riot, but also pops with drama, as Combs himself was a suicide victim (nice job assuming I’d know this already, Survivor; I do indeed have a twisted obsession with death). It’s a hard thing to use comedy to bring out this much of an emotional response, but here we are. Excellent stuff. 5

DK: This was funny and touching all together. Another great concept, and I really got a kick out of this case. I was hoping it was going to get even more towards dark humor for a little bit, but I don’t really have a problem with the way it ended up going. 3

I thought of this concept with four hours left until the deadline, and I wasn’t sure even where to go with it.  But I felt Ray Combs was an amazing game show host so it was easy to write for him.  I was surprised that I was able to fit some poignancy into the script.  Adjusting his tie at the end was a nod to the way he ended his own life.

Also, being that I work with people on a daily basis who contemplate suicide, I wanted to make a point in the story that one of the most dangerous things someone can do to someone who is considering suicide or has attempted is to make them feel shameful for doing so.  People who are at that point need love, compassion, and support.  Not judgment.

But I have to be honest.  I can’t stop giggling at the sight of Ray Combs yelling, “Show me getting the sack with a black for some crack!”

110: Legacy (4.06)

Synopsis:  The entire crew gets duped by Tasha’s sister because Troi just isn’t good at reading emotions.

Memory Alpha Summary: Yar she blows

Review:  Not a whole lot to this episode, other than a rather banal allegory to gang warfare.  Data being betrayed by his new friend could have been pretty poignant, except he was just betrayed three episodes ago in Brothers, and I didn’t really buy how quickly the Enterprise crew trusted Ishara.  Troi voices out loud that Ishara’s leader is crooked, and says she’s pretty unsure about Ishara as well.  And yet they jump into this war with hardly a second thought because they miss Tasha?

We hear that this society severed ties with the federation 15 years ago.  Yet, Tasha was being exploited by rape gangs 30 years ago.  Why would the federation have had ties with them?

Moreover, the captain is warned that these gangs kill ALL visitors.  The first thing he does after hearing this news?  Orders Riker to assemble an away team of senior officers.  Right on.

Finally, Worf shows an unseen before (though we’ll see it later) sexist streak while trying to get Beverly to not go on the away mission.

I love it when Data tells Ishara that he and Tasha had “many conversations.”  No word on how many of them ended with, “It never happened.”

111: The Game (5.06)

Synopsis: Riker’s whoring around nearly destroys the Federation, and Wesley saves the day.

Memory Alpha Summary:  Ashley Judd’s first on-screen kiss!  And Marina Sirtis’s first make-out session with a chocolate sundae.

Review:  It’s been a long time since Wesley got to be the only person on the ship smart enough to prevent disaster.  And this time he gets help from Ashley Judd, who like many isolated girls in the 24th century, fall for dopes.  At least Wesley doesn’t act arrogant this time around.  I do like how Wheaton and Judd work together here so the episode isn’t too unpleasant.  But I’m having a hard time buying that Wes was the only one on board who was ultra suspicious of this game.  Did they tie Picard down and force him to play it?  Or did Beverly seduce him with it?  Hey, look at that—chase scene!

In reflection, several more things annoy me about this episode.  This is neither here nor there, but why are students studying Latin at the Academy?  While it’s not a useless subject, what’s the point with universal translators?  I imagine there has got to be more pressing science-fiction stuff for him to learn.

Second, Lefler’s laws are basically a bunch of lame platitudes.  Granted, she started them as a teenager, but I’m going to go with she’s just simple-minded, because that also explains her falling for Wesley.

Three, the takeover plan using this game is ridiculous.  Even assuming one gets everyone on the Enterprise addicted, having crew members pass them out at Starfleet just seems like a disaster waiting to happen.  Someone’s going to catch on.  The sinister plot is an embarrassing insult to the audience.  If not for the charming romantic subplot and the above average chase scene, this episode would rank in the bottom twenty.

112: Masterpiece Society (5.13)

Synopsis: The Enterprise finds a long lost society of humans (back from when the Federation kept shitty records) that have been genetically engineered for a predestined, perfect life.  But the crew proves to them that GE does not always bring good things to life.

Memory Alpha Summary: The script went through the hands of five writers.  Too many engineers in the pot, I think.

Review: Troi wants to see more of Conor’s colony.  That’s the first sign that she’s about to violate some ethics right there.  Thankfully, Picard still remembers what it was like to be horny in season four, so he forgives her major transgressions.

This episode is pretty much Ensigns of Command, only using a hot topic rather than an alien race.  I much prefer the alien race.  It seems less contrived.

I was kind of enjoying seeing this race battle with their own independence until Picard has the gall to say that the prime directive should have been used because their arrival has been just as destructive as any core fragment.  Shut the fuck up, Picard.  The core fragment would have killed EVERYONE.  Destroying their way of life will make their lives difficult for a long while.  But they’re not DEAD.  And it’s not like you would have saved their society by denying asylum to those who wanted it.

113: Dark Page (7.07)

Synopsis:  Taking her turn in the season seven family reunion, Troi finds out she has a sister.  A dead sister, but whatever.

Memory Alpha Summary:  Of course, being seven season, she has to first hallucinate her dead sister.

Review:  Lwaxana’s final episode on TNG is her second best, six seasons after the best.  The five seasons in between of her character being only annoying was a crime.  The writers finally decided to give her some depth and a reason for her being an insufferable mother.  She’d get a couple damn good episodes on DS9 at least.

114: The Outrageous Okona (2.04)

Synopsis:  The Enterprise picks up a passenger who proceeds to bang all the female staff before they find out he’s a fugitive on two planets.

Memory Alpha Summary:  Now that’s sex appeal.  Or something.

Review:  This episode, despite being a bit hackneyed, is fun because Okona (William Campbell) is as charming as he advertises.  I love how Riker recommends that Okona gets limited access to the ship, but that apparently didn’t extend to all the vaginas that Riker was likely trying to keep for himself.

There are three awkward moments, however.  The first one comes when Riker tells Wesley that Okona has good eyes after he ogles the transporter girl.  Talk about inappropriate talk about a subordinate.  The second one comes when Worf catches Okona making it with another crew member and he says, “I like that, but I have my orders.”  What the fuck?  Gross, and inappropriate as well.

But the third is different, as Troi gives a speech about how some cultures still hold an arcane view of procreation.  And by that she means “mating for life” is arcane.  While I believe it is not the only option in nature, I certainly can’t imagine that in 400 years it will be obsolete or even a bad idea.  And for realsies, Troi’s culture still has arranged marriages.  Get off your soapbox Deanna.

I almost forgot that there’s a subplot with Data getting advice from Guinan and Joe Piscopo on how to be funny.  Data is mildly amusing as he tries his hand at stand-up comedy, but it gets old after about nine seconds.